A hull lot of fun...

How time flies when you're having fun! As expected, fairing the inside of the hull required more work than the outside. The scraper quickly became the tool of choice. My plan is to leave the inside bright, so I finished up with 220 grit sandpaper. I'm using 6 oz. glass, double layered in the middle, as I did on the outside of the hull. 

The 6 oz. glass easily conforms to the hull shape, but one must be careful not to snag or distort the cloth while wetting out.

Three coats of epoxy and we are ready to sand.

The grayish areas in these photos are an illusion caused by the reflection of the as yet unsanded epoxy.

The interior will be finish sanded with 220 grit paper before varnish is applied. 

The  transom looks splendid under the clear finish. Too bad the inside won't be visible after the deck is applied.

The view from behind.

One of my goals is to avoid excessive use of epoxy. However, it made sense to use a big fat fillet at the stem. 

While preparing the hull for glass I went ahead and laminated some deck beams, using the formula from Iain Oughtred's book on lapstrake boat building. The camber is four inches. 

At last I can get to work on the interior bracing, mast step, centerboard trunk, sheer cleats, floor, deck, etc.... 

Mo mast...

I finished rounding the mast on Sunday. Thought I'd post a few pictures. The mast currently weighs just under 11 pounds.

It's hard to see the taper in the photo above. 

The pencil line is at 14'. A step will be created here for the shrouds. The mast is 1 1/2" in diameter at the step.

These close ups show the lovely consistency of the fir when quartered. The fir sands easily, but not too easily like red cedar or pine.

I still need to fabricate a bolster for the upper block on the throat halyard.

Also, a tenon must be added at the step as an alignment key. The mast diameter is 2 1/2" at the step.

Can't wait to break out the varnish, but first I need to shape the boom and gaff...

Snow day...

The town where I live averages only 14 inches of precipitation per year and we rely on the mountain snow pack for the lion's share of water we use. Last year the snow pack was below average and this year was looking to be the same. Thankfully, we have finally received a gift from mother nature and it has been snowing off and on for three days. We've seen over 16 inches at our house and reports from the mountains have been in feet. As I write this it is coming down again. The view from my shop this AM.

I continue work on the mast, using the smooth plane. I spent some time getting the plane set up just right. It often takes a bit of fussing, but when the blade is sharp, the sole perfectly flat, and the throat properly adjusted, one can get a very clean cut, even against the grain. I've had this plane for 25 years and it's my favorite.

The first task after glue up is to remove extra material, first creating an octagon, then a hexagon. I use an adjustable bevel to maintain the correct angles. This one came from my grandfather.

My approach is incremental as the hexagonal mast emerges. I check the dimensions regularly with calipers and my eye. The eye does not lie, most of the time. 

I hope to avoid using a sanding belt. The belt leaves cross grain scratches, a real pain to remove. I think most of the work can be done with the plane and a scraper. 

The mast keeps getting lighter, a good thing. I was concerned it might be difficult to manage when stepping, not so at all. Current weight is 11.5 pounds.

A birdsmouth mast...

Springtime in the Rockies can be quite fickle and this year is no exception. Sunshine and 70 degrees one day, snow and single digit temperatures the next. The old saying is; "if you don't like the weather wait 15 minutes". I took advantage of the good weather last week to prepare the mast for assembly. I'm using 8/4 fine grain quarter sawn Douglas Fir, acquired locally. The wood was a find at $7.23 per board foot in 18' lengths. I used a 16% wall thickness as the material is close grained and quite stiff with up to 30 rings per inch. The mast is 14' - 6" overall, 2 1/2" at the step, tapering to 3" at the boom, and tapering to 1 1/2" at the top. I made some fixtures to aid in assembly and keep the mast straight while the epoxy cures.

I'm following Ross Lillistone's advice on blocking, using a solid piece between the step and the partner. This piece is tapered to reduce stress where the block ends. The small block is for the top of the mast.

 I used a roller and sponge brush to apply the epoxy, making sure the inside surfaces are well covered. The assembly fixtures made it easy to align the parts while clamping. I used hose clamps and cable ties to hold everything together.

If the staves are properly machined assembly is very easy as the pieces are self aligning.

The finished product looks pretty straight and weighs about 15 pounds. Time to sharpen the jack plane and get to work...

A bare naked hull...

Beautiful weather on Friday provided the opportunity to free the hull from the mold. I've been wondering how much it would weigh at this stage and was pleasantly surprised to find it is fairly light. I’m guessing 70 to 80 pounds, quite easy to move with two people.

A friend and I moved the hull outside while we disassembled the molds. The boat will now be flipped over so I can prepare the inside for fiberglass.

I see quite a bit of scraping and sanding in my future...

Especially around the inner stem...

It's really great to finally see the boat in the upright postion!

A skeg and a prayer...

A short rant on epoxy

Sometimes we do things against our better judgement for reasons that seem quite logical at the time, only to regret our choices later. I hope this is not true of my choice to build with fiberglass. My misgivings date back to the days of polyester resin and I can honestly say if modern epoxy had not come into use I definitely would not be using fiberglass. When I was a cabinetmaker I looked at epoxy as the slightly less evil cousin of Bondo, a really nasty product used mostly in the auto repair business. While modern epoxy is much less toxic, it is still very unpleasant to work with. As of late, I'm wondering if it is really worth all the effort in the long run. Epoxy must be protected from UV in the same way wood must be protected from water. Both require a quality topcoat to stay in good condition. It's true the fiberglass adds some strength and abrasion resistance, but a well maintained traditional boat will probably last just as long. The promise of fiberglass and epoxy is light weight durability and ease of maintenance. I hope this proves to be true.

After a final coat of epoxy the boat kind of resembles a bowling ball; as far as the finish goes. The epoxy dramatically enhances the natural chatoyancy of the mahogany.

I'm eager to get beyond the fiberglass. No matter how much I vacuum, the shop is perpetually covered with a thin coating of epoxy dust. Time to get this boat flipped over!

The Skeg

Barto suggests the use of 3/4" plywood for the skeg. His instructions are to laminate two pieces, creating a 1 1/2" thick blank. The blank is then tapered to 1" in two directions to form the skeg. I'm not using plywood, instead I'm using a very old piece of 6/4 mahogany that seems just right for the job. I'm not sure where this piece came from, but it is exceptionally dense and very dark in color. I've been looking for a project to use it on for years and the board is large enough to provide material for the bottom rub rail too.

My new favorite tool might be the Bosch power planer. It took a lot of the work out of the tapering process. The most difficult part was matching the curve of the hull.

I used some flexible battens to apply clamping pressure, a technique often used in guitar making, but on a much smaller scale. I have also seen this technique used in the Ian Oughtred book on clinker boat building.

In this shot you can see how the skeg is shaped. Just like a wing on a bowling ball...

The finished product.

Next, turn the damn boat over!

Catalytic homopolymerisation...

Epoxy, even under the best of circumstances, is no fun to work with. However, I'm old enough to have experienced the displeasure of working with polyester resin, so I'm very happy to be using a less toxic product. This said, epoxy is plenty toxic and every precaution should be taken when using the stuff. The dust is fine and a real pain to contain. I hope to get through the fiberglass stage as quickly as possible.

I have no previous experience with fiberglass, so I spent some time reading various tutorials and watching YouTube videos on the subject. Also, a friend who is building a kayak gave me some good tips from his experience. Some folks take the extra step of sealing the wood before wet out. I like this approach because it creates a uniform snag free surface to lay the glass on and allows for less epoxy to be used during wet out. Also, after sealing the boat, you get one more opportunity to detect imperfections better dealt with before glass is applied. When I rolled on the seal coat the mahogany came to life.

I found myself second guessing my decision to paint.

The inside will be bright for sure.

I chose 6 oz glass, some folks use 10 oz, to keep the weight down. My plan is to use two 50" wide by 16' long pieces, overlapping on the bottom and chines. The 6 oz glass laid down nicely without much trouble.

I'll be glassing one side at a time, feathering the layers at the joints. The transom will be done last. The glass cloth was easier to work with than I anticipated, just make sure to use hand softener first. It is worth taking the time to smooth the fabric as much as possible before wet out.

I found a plastic trowel was the most efficient way to apply the epoxy during wet out. I just poured epoxy where needed and spread evenly with the trowel. The trowel allows fairly precise control and seems to minimize the amount of epoxy used for a given area. All the tutorials warn against applying epoxy too heavily; I tried to follow this advice. When thoroughly saturated, the cloth becomes invisible. Extra epoxy must be removed before moving to the next section. This is referred to as tipping off.

It is best to mix the epoxy in small batches so all parts of the process can be completed before it goes off. Resist the urge to mess with the finish once it starts to harden. I found 6 ounces to be about right. Everyone agrees results are best if the temperature is kept above 70 degrees during application.

The cloth extends about 4 inches beyond the far chine. Each side requires three coats to completely fill the weave. I'm wetting out the second half of the boat below. Feathering the overlapping cloth properly takes a bit of practice but, if done correctly, the joints are invisible.

The transom is covered next, allowing for two layers of glass at the edges. I'll let the epoxy shrink for a couple days, then sand it smooth before I turn her over. Guess I better get working on the skeg.